Economics - Arts dialogues
“Art is the highest form of hope”, as the renowned visual artist Gerhard Richter stated. Hope or the desire for stability and better prospects is also fundamental to how economies and societies evolve over time. It feeds into our consumption and production patterns, and is also a driver of investments in productive, innovative, low-carbon entrepreneurial activities and in various other forms of climate action.
ICENS lab embraces both reasoning and sentiment, both rationality and emotional intelligence. To achieve this, we propose to bring more to the foreground the much neglected and undervalued role of arts. The latter is taken to mean all cultural production, be it literature, visual art, music, philosophy, film, storytelling, or other creative practices and artistic forms of expression that have the capacity to connect people with each other’s lived experiences. Arts has the potential, not only to convey the complexity of science and disseminate research findings more empathetically, but also to foster innovation, stimulate imagination, stir emotions, and instil change.
See also our brief magazine articles authored by ICENS lab’s founder on links between arts, economics, and development, published in BIZART_ZA; Business & Arts South Africa, Johannesburg: Shaping climate solutions through architecture and arts (p. 10-12) and What’s Art Got To Do With It? Art, Democracy & Development (p 9-12)
Projects
ICENS lab is working with LEAP lab to create safe spaces for dialogue and interactions between the realm of economics with that of the arts, two worlds that often operate separately. In this spirit, they recently co-organised a workshop in Cambridge, UK, in June 2025, on “Experiments in Uncertainty and Un/knowing: Economics - Visual Arts Perspectives on Climate Change Mitigation”. The workshop unpacked, questioned reimagined, and befriended the thorny concept of uncertainty, with a focus on our collective efforts to reduce anthropogenic greenhouse gas emissions. How do we show or convey what we do not know? How can the arts help economists more closely embrace uncertainty and learn to elegantly navigate landscapes of ambiguities and open-ended knowledge? It is hoped that this was a first pilot initiative and the start of a method, in a series of systematic efforts to connect economists with artists. The longer-term aim is to shape an arts-driven economics research and practice, and figure out ways in which the arts, through its critiquing and revealing nature, could aid the economics discipline, such that the latter becomes more disruptive, innovative, and less immune to fossilisation. The event was supported by CRASSH (Centre for Research in the Arts, Social Sciences and Humanities) at University of Cambridge. For more about the event and ideas behind it, see our summary on the Perspectives section of our website.
